Ram Navami has just been celebrated. On this occasion, my thoughts go to the beautifully lyrical way in which Tulsidas (1532–1623), in the Ramcharitmanas, describes this iconic moment. Tulsi was a committed Ram bhakt. In fact, he was to Ram what Surdas was to Krishna. Anyone less than such a complete and unwavering devotee could not have written the Ramcharitmanas. The epic, written in Avadhi—an easily comprehensible language in north India—is still sung and recited by millions upon millions. The unprecedented popularity of the Manas led the historian Vincent Smith to call Tulsidas the greatest man of his age in India, greater even than Akbar himself, of whom the poet was a contemporary. On Ram Navami, delve into Tulsidas’ timeless narration of Ram’s journey (Getty)

Tulsidas describes the time and milieu of the Lord’s birth with precision and lyrical aplomb: Naumi tithi madhu maasa punita; Sakala paccha Abhijita Hariprita; Madhyadivasa ati seeta na ghaama; Pavana kala loka bishrama

It was the ninth day of the waxing moon (sakala—bright half) of the sacred month of Chaitra; the moon had entered the asterism named Abhijit, which is so dear to Hari; it was midday, when it is neither too hot nor too cold; the entire ambience was imbued with holiness, and people felt serene and at rest.

In the further chaupais on the birth of Shri Ram, Tulsi weaves in several complex thoughts and emotions. The poet begins by setting the mood, elaborating on how the time of the birth was most auspicious and had the blessings of all the gods. The atmosphere was one of joy and celebration, and the entire cosmos was vibrating with the imminence of the emergence of the Lord.

When Shri Ram is born, the first two qualities that Tulsi ascribes to him are mercy and compassion. Bhai prakat kripala, deen dayala, Kaushalya hitkari, he writes. ‘Kripala’ is one who is kind, benevolent, and humane. ‘Deen dayala’ means the saviour of the weak and vulnerable.

In later verses, Tulsi consistently associates these virtues with Ram. When Lakshman asks Ram for a definition of dharma, the Lord replies: Par hita sarisa dharam nahi bhai; Para peeda sam nahi athamai (There is no greater dharma than the benefit of others, and no greater sin than causing injury to others).

To return to the birth, Tulsidas, the dexterous poet, plays upon Kaushalya’s incredulity at the fact that she had given birth to the Lord of the universe. When Ram is born, he appears in the full regalia of his divine splendour, with his four arms bearing weapons and his body adorned with all the symbols of divinity. Tulsi brings out Kaushalya’s sense of amazement at how she—an ordinary lady—could be the mother of one who is the master and ruler of the world.

Kaushalya says that for the Lord—in whose every pore reside several universes—to be born to her is a matter of disbelief, even laughter. Ram smiles at her puzzlement and sets her at ease by narrating many stories of the past, explaining how he has come to be born and how she is his mother. Significantly, he does so, Tulsi says, to invoke in her the love of a mother towards her child—vatsalya.

As the emotion of vatsalya rises in her, Kaushalya asks Ram to shed his divine form and adopt that of a normal child. These are the most moving lines of this section: a mother asking the Lord to be her child rather than the Supreme Being. Her request is for Ram to enact the leela of playing the role of a child, for the joys of motherhood are param anoopa—unparalleled.

On hearing her request, the Lord complies, and all of a sudden, the divine form disappears, and he becomes a child crying in the arms of his mother. ‘Suna bachana suhana rodana thana hoi balaka surabhupa: Hearing his mother’s request, the all-wise Lord of immortals became an infant and began to cry.’

This whole depiction combines a kaleidoscope of emotions, where the birth of an avatar blends effortlessly with the expectations of a mother, thus creating an image which, for generations, has remained indelible. Tulsidas rightly says that those who internalise this sequence of events—a mother’s plea, and Ram, in response to her request, giving up his divine form to become a newborn baby—attain the eternal blessings of the Lord.

Tulsi ends by making the philosophically important point that Shri Ram took the avatar of a mortal out of his own free will, which is an aspect of his unfettered powers, since by definition he is not bound by the conventional limitations of mortality—the senses, the three gunas—rajas, tamas and sattva—or the shackles of Maya.

(Pavan K Varma is an author, diplomat, and former member of Parliament (Rajya Sabha). The views expressed are personal)